Theatre through the eyes of a Manc
It's not very often that a piece of theatre has had such an impact on me that I end up watching it three times*. Danny and the Deep Blue Sea is one of these. It was one of the best shows I watched in 2019. Its characters moved me so much that they became seared into... Continue Reading →
Meet Kate. She’s a skank. Stuck in a job she hates, Kate dreams of being a writer. Anything to get away from her irritating co-workers; Anal Annie, Linda (who has the world’s most awful laugh), and her woefully dull manager, Chris. As relief from her mind-numbingly boring job, she investigates which of her colleagues have... Continue Reading →
"Divorced, Beheaded, Died. Divorced, Beheaded, Survived." Everybody is taught the rhyme in school. The fate of Henry VIII's wives is drilled into us at a young age. "Remember us from your GCSEs?". History teaches us about the tyrant king's six notorious marriages. We all know how they ended, but how much do we actually know... Continue Reading →
2019 has been quite an eventful year for theatre in Manchester. It has been a year of new beginnings, with Sarah Frankcom stepping down as the Artistic Director of the Royal Exchange, paving the way for Roy Alexander Weise and Bryony Shanahan to put their own stamp on the theatre. This year also saw 53two... Continue Reading →
This is Manchester. We do things differently here. The Mancunian spirit is almost as famous as its two football teams (come on you reds!), and the indie music that was born here. But what does it mean to be Mancunian? Monkeywood Theatre respond to this by creating fourteen bite-sized, micro plays that are penned by... Continue Reading →
When Sam visited a zoo with his parents, he signed a form to adopt an elephant. Little did he know that the small print meant the elephant would actually come and live with him. Imagine his surprise when a giant, blue elephant arrives on his doorstep! The Slightly Annoying Elephant is based on the best selling... Continue Reading →
Earlier this year, 1927 Productions thrilled HOME's audiences with The Animals and Children Took to the Streets, which is one of the best shows I have seen this year. Their unique way of storytelling inventively combines traditional theatre with animations and live music. In Roots, 1927 use these techniques to tell a series of folk-tales... Continue Reading →
According to Cliff Richard, Christmas is a time for mistletoe and wine. It's a time to rejoice, with logs on the fire and gifts on the tree. Clearly, he has never seen Alan Ayckbourn's Season's Greetings, which depicts a dysfunctional family Christmas that most audience members can identify with. There is plenty of wine... in... Continue Reading →
Emergence is the postgraduate dance company formed in collaboration between Joss Arnott Dance and the University of Salford. It is a professionally focused course aimed at students studying MA Dance Performance and Professional Practices at the university. Each year, a new group of dancers work with Artistic Director, Joss Arnott, to co-produce an exciting programme... Continue Reading →
